When disillusioned A-list Hollywood actress Mira Harberg arrives in Paris to immerse herself in the coveted role of iconic villainous Irma Vep in a remake of Feuillade’s The Vampires, an encounter with her former lover Laurie reignites dormant passions. Meanwhile, the project’s acclaimed director René Vidal struggles as production woes threaten to derail his vision.

A surprising heart-to-heart with her ill-mannered co-star Gottfried causes Mira to revisit her past, while René is haunted by his relationship with his ex-wife – who played the role of Irma Vep in his 1996 film. Later, a breakthrough with Edmond leads to another on-set catastrophe.

After shooting an iconic moment in which Moreno kidnaps Irma Vep, René faces backlash over the scene’s sexual implications. Unwilling to waver, René cites attempted censorship of 1916’s The Vampires – and original Irma Vep’s courageous fight to keep her film alive. Meanwhile, Mira deals with complex emotions as she sinks deeper into her character.

After an epic blow-up on set, the fate of René’s series is put in jeopardy. René gets a visit from a ghost as the production team considers taking The Vampires in a new direction that would reunite Mira with a figure from her past. All the while, Mira grows more entwined with her role as Irma Vep.