New director for Final Destination 7

The horror franchise enters the next round!

By Jonas Reichel on 4 min reading time

Death strikes again! "Final Destination 7" is currently in development. The industry magazine The Hollywood Reporter has now announced the director of the new film.

The director is Belgian filmmaker Michiel Blanchart, who has previously made a name for himself with short films. The screenplay was once again written by Lori Evans Taylor, who also co-wrote the script for "Bloodlines" with Gary Busick. A start date for part 7 has not yet been set.

Since the first film in 2000, "Final Destination" has built up a loyal fan base – and "Final Destination: Bloodlines" also enjoyed great popularity. The film, which was released in May, took first place in the international cinema charts and achieved the best opening weekend of the entire series with box office takings of over 314.6 million dollars. The "Final Destination" series has grossed a total of over 983 million US dollars worldwide. This makes it New Line Cinema's third-largest horror franchise – beaten only by "The Conjuring Universe" with 2.3 billion US dollars and the "It" films with 1.2 billion US dollars.

Why the "Final Destination" franchise is still fascinating after 25 years

When death becomes an invisible antagonist, it creates a thrill all of its own and this is precisely the secret to the success of "Final Destination". Since the first film in 2000, the horror series has developed into one of the genre's longest-lasting and most profitable franchises. Over a billion dollars in box office takings worldwide, six films and countless fateful deaths later, the fascination remains unbroken. But what exactly makes "Final Destination" so special – and why does the concept still attract millions to cinemas even after 25 years?

Death as an invisible killer

In contrast to classic horror films such as "Halloween" or "Friday the 13th", in which a masked killer hunts the victims, "Final Destination" dispenses with a physical threat. Death itself is the enemy – invisible, unstoppable, inescapable. This idea lends the series an almost philosophical dimension: you may be able to outwit fate, but you can never really escape it.

This concept plays on a primal human fear: the loss of control. There is no monster that can be defeated, no weapon that can help. Instead, the threat is omnipresent – in every socket, every coffee cup, every fluttering curtain. This creates a subtle but constant tension that stays with the viewer even after the credits have rolled.

The creative art of death

One of the franchise's greatest charms lies in its macabre creativity. Each film is known for its spectacular, sometimes absurd death sequences, which are constructed almost like elaborate puzzles. Whether it's an everyday chain reaction in the bathroom or a fatal backfire on the highway, the films stage death as a mixture of chaos and precision.

These so-called "Rube Goldberg death traps", named after the principle of machines in which a chain of events triggers a banal action, have become a trademark. Viewers are not only excited to see who dies next, but also how it happens. This creates a morbid mix of fear, fascination and macabre anticipation – a balancing act that few other horror series have mastered so well.

A recurring but changeable concept

Another reason for the series' longevity is its structure. Each film follows the same basic principle: a vision warns a group of people of an impending mass disaster – they escape, but death catches up with them one by one. This recurring pattern creates familiarity, while the locations and characters always vary.

From the plane crash in the first part to the highway accident in "Final Destination 2" to the racetrack disaster or the bridge catastrophe in later parts – each film plays with new scenarios, new fears and new visual ideas. This keeps the franchise fresh and unpredictable despite its formulaic structure.

The thrill of the mundane

One key to its popularity is its proximity to everyday life. The threats in "Final Destination" do not come from dark forests or haunted houses, but from the normal world. A faulty socket, a slippery floor, a fluttering curtain – things that everyone knows. This makes the danger seem more real, more tangible.

Many fans report that they look suspiciously at their surroundings after going to the movies – at a dripping tap or a loose cable. "Final Destination" changes perception and plays with the idea that one's fate could be sealed at any time by a small thing.

A generational phenomenon

Last but not least, "Final Destination" has established itself as a pop-cultural phenomenon. The phrase "I had a Final Destination vision" has long since become part of everyday jargon. The films appeal to a young audience seeking adrenaline and thrills, but at the same time wanting to reflect on the inevitable – death. At a time when many horror films rely on jumpscares and monsters, "Final Destination" remains unique: no demon, no serial killer, no supernatural explanation – just death itself settling its score.

And perhaps this is precisely the reason for its enduring fascination. Death is the only certain thing in life – but the "Final Destination" films make us believe for two hours that we can at least watch it while it happens to others.